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Title: The DaVinci Code
Author: Dan Brown
ISBN: 0-385-50420-9
Format: Hardcover 454 Pages
Overall Concept 8
Execution 7
CAVEAT: I hate to have to spell this out, but this is a work of fiction and as such all of the ‘history’ of this book should be taken with both a question as to its authenticity and with the understanding that it has most likely been altered to best suit the needs of the author and the story he wishes to tell, despite any claims he may make to the contrary.
This is the 2nd novel with our intrepid Harvard History Professor, Robert Langdon. In this tale of history (gone wrong) our protagonist is called to a murder scene by the French police while on lecture in the city of Paris. It seems that a man he was to have met with that evening has been murdered in the Louvre and has been positioned in a way similar to Leonardo’s Vitruvian Man. This incident quickly escalates to one where Robert is on the run from the French authorities and, with the aid of a French cryptographer, on the chase to find what the Holy Grail is and where precisely to find it.
Angels and Demons, Brown’s first novel with Robert Langdon, is not only a better read but a more plausible story. Also, it would seem that Mr. Brown is rather formulaic in his writing style and therefore The DaVinci Code seems stale, after having read Angels and Demons.
With regards to the heresy this book is presenting to the world, I will say two things. Firstly, see my CAVEAT above and secondly this is not the first time this idea has been brought forward and dismissed or forgotten. If anything I think Mr. Brown is a brilliant marketer as by making the Church take a stand against his novel he has received a significant amount of free press and that has generated a lot of sales. I also believe that the way Mr. Brown is presenting the information, from a Harvard professor and with a lecture type air to it, it is being leant a great deal of versimilitude. And this versimilitude is only aiding in people becoming blind to the fact that this is a work of fiction and should be treated as such.
As with Angels and Demons, I would heartily suggest this to any one who takes entertainment out of the concepts of a good mystery, conspiracies and/or anachronistic history lessons. But for any devout Catholics or Christians, the big historical reveal of this novel needs to be assumed to be quite fanciful.
Monday, August 21, 2006
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